theMOVEMENTZ

muzikMOVEMENTZ, in its name alone, encapsulates everything we do in the field of Hip Hop, R&B, Rock n' Roll, Folk and Country: Through online interviews, reviews, photographs and videos, we help to push the deserved exposure of Canadian artists and entrepreneurs by showcasing their talent to "move" and evolve the entertainment industry in Canada.

theMOVEMENTZ is Parent company to, Muzik Movement Newz, and with the incredible and ongoing success of our ability to reach fans with music news, reviews and interviews, we decided to revamp our website to showcase artists in all entertainment industries.

Although we only began in the summer of 2007, theMOVEMENTZ has already seen profound success in Toronto and the GTA, and has even made impressions internationally.

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Showing posts with label muzikmovementz. Show all posts
Showing posts with label muzikmovementz. Show all posts

Wednesday, March 10, 2010

Lady Gaga Video Premiere Telephone featuring Beyonce.


The music video for Lady Gaga's 'Telephone' featuring Beyoncé will be debuting shortly - stay tuned to LadyGaga.com for updates on when & where you can catch the first glimpse of the video directed by Jonas Akerlund (director of 'Paparazzi'). Take a peek at these behind-the-scenes shots in the meantime!

Tuesday, March 9, 2010

Moeraes Fate



I recently spoke with Katee Lee, lead singer and bassist for Moeraes Fate, the three-piece rock trio formerly known as Dame. Keep reading for more insight on the name change, new guitarist, Ali Stead, and the band's upcoming album.

"There were more than two other bands called Dame," explained Katee when I asked about the band's much talked about name change- only one of many changes that the band has undergone.

So, why Moeraes Fate?

Katee explained that , "a 'dame' is a woman knighted, so with Dame we wanted to show that we were independent women. The Moeraes were the daughters of Zeus- goddesses. With the name change we wanted to show that we've matured since we started the band."

From dames to goddesses, the young women that make up the band have worked very hard over the last few years, and have developed one of the most loyal indie fanbases in Ontario.


Click here to read more

Wednesday, March 3, 2010

Vita Chambers' new EP, THE GET GO, is available now!


Vita Chambers' new EP, THE GET GO, is available now!

The new EP from SRP/Universal Motown's, Vita Chambers is available today!
THE GET GO is available on iTunes. The Get Go

Click here to sample

Tuesday, March 2, 2010

Eyes on the Prize



Brand New Eyes, the highly anticipated third album from Nashville-based power-punk band, Paramore, is barre none, their most sophisticated work to date. Coming from Grammy nominees known for high-calibre energy and down-to-earth lyrics, this latest release doesn't disappoint, but serves up a more mature sound than its predecessor, Riot! .



Hayley Williams' larger-than-life vocals continue to propel each track to an emotional peak. Yet, this album does more to showcase the sum of its parts rather than its lead singer alone. Fans will attribute this to the fact that Paramore has successfully recovered from contemplating a break-up, making this album somewhat of a comeback.

The band doesn't ignore their past problems at all, and in fact openly discuss the experiences on three separate tracks. "Ignorance" the first single from Brand New Eyes, was written while the band was at the heat of their conflict, and the heat is definitely on.

click here to read more

Thursday, February 25, 2010

Sean Murphy



Sean Murphy's laid back yet powerful voice no doubt has its beginnings from his roots in Lanikai, on the island of Oahu in Hawaii. While Sean’s style has been influenced by artists such as Dave Matthews, Jack Johnson and Bob Dylan, Sean Murphy is in a league all his own in today’s cookie-cutter, lip-syncing industry. Sean’s raw and sincere lyrics captivate a broad audience, and are already gaining high visibility in Japan (he is Top 5 in the charts), Canada, the Netherlands and Australia.



Sean’s passion for music began at an early age, always keen to take advantage of any performance opportunities that came his way. When he was only eight years old, Sean began guitar lessons and before long was performing with local bands, eventually choosing a solo path. . His songs deal with such relevant issues as emotions, relations, children, poverty, and the environment. His visions are well spoken through his melodious, meaningful sounds and lyrics.

Eventually Sean’s love of singing and songwriting lead him to an interest in playing a number of instruments including guitar, drums, piano, and sitar (a plucked stringed instrument mainly used in Hindustani classical music). His newest single, “Lonely Soldier” is out and the sound is awesome, soft, yet deep in lyrics and texture. Another single, “Us”, is off of his most current CD, “One Life”. This song was written after he had his first serious breakup with a girl. This tune truly speaks from the heart and honestly expresses what he felt at that time. His emotions and life experiences carries him through the creative process in hopes that others who hear can identify with his messages. Sean had an impressive ability to write lyrics that were fueled by emotion, and could easily articulate his message through his music.


Click here to read more

Wednesday, February 17, 2010

Shotgun Rules


Hailing from the forest city, London, Ontario . Shotgun Rules talks to theMOVEMENTZ about the music scene, and the creation of their identifiable brand of aggressive rock.



Loud pulsating drums and bass, heart-wrenching guitar riffs,and distinguishable blaring vocals. Those are the sounds created by John Mackenzie, Ric and Dustyn Mattingley, Corry Van Spronsen and Zach Pero. Together, they make up the five-piece band that has been tearing down venues with their volume and high-energy performances.

The London-based independent band has been reaching more and more ears ever since the release of their latest album, Fugitives and Refugees. Though on hiatus for the past few months, they are looking forward to starting up their live shows once more, and this time with a collection of entirely new material.

Corry Van Spronsen, guitarist, gave us an inside look at Shotgun:

On the birth of Shotgun Rules

Me and the other guitar player, Ric, we were in a different band together, a pop/punk band called Hoodini. We started really clicking together writing-wise, and we started writing stuff that the rest of that band wasn't so much into.

So then we just said that we were going to do our own thing.So for close to a good year, it was just Ric and I writing music in my basement...We picked up Ric's brother, [Dusty] on drums. Shortly after we picked up John, the singer, and that was just through word of mouth from a friend who auditioned for us, and said, "You know what, I would love to do this, but I know a guy who would suit you guys a lot better than me" .Almost immediately [after his audition] we thought, ‘this guy's gonna work out good', so we kept him...

...Joe [the former bassist] left us before the start of the last tour. Zach came to mind, because I'd seen him play with bands like The Joys. I asked him if he could do it and learned all of the songs for our tour. By the time we got back we saw that he fit with the group pretty well, and he's really good musically. So we just kept rolling with him.



On the latest album, Fugitives and Refugees

The album was written over a large span of time. We went into the studio and said we were going to record everything that we had. A couple of the songs that we thought were going to make the album, ended up not really working on tape. They didn't carry over the way we thought they would.

Read More Click Here!

Wednesday, February 10, 2010

Empire ISIS at NXNE


NXNE is a chance for artists to showcase their talents, share their music with fans and colleagues and get their message out there. I was lucky enough to have a sit down with one such artist, Empire ISIS, and believe me, her message is definitely worth hearing.



I met up with Empire ISIS and her crew at the Hyatt, in Toronto, where the conference was being held, and my first thought was, wow, is she ever tall. However, it wasn't her physical height that made her seem so daunting, but the way she carried and presented herself. She was strong, she knew who she was and how she wanted to be perceived. “I'm so sure of my energy that I'll burst into any room, anywhere, with anyone in it... and be myself. Look into people's eyes, give them my vibe, feel their vibe, feel what they're about, ask the specific questions that can help me understand who I'm around right now, where they're from, what's their experience.”

And she has to be in order to make a name for herself in a genre that is so male dominated. She's had to constantly prove herself no matter where she goes, be it Caracas, Rio or right here in Montreal. But despite the road blocks, the difficulties and the up hill battles that it has taken her to get this far, Empire ISIS is not one to be meek and back down, especially since getting her message out there is so important to her.

Brought up by a Ugandan stepfather and a British mother in French Canada, Empire ISIS quickly learned the value of personal identity and cultural fusions. In her own words, “my whole life has been about cultural mash up and trying to learn to see past who we are and how we've been brought up, to understand the person next to you.” To do this, she set out in 2001, camera in hand to film documentaries in Jamaica, Trinidad, Venezuela and many other Latin American countries, to try to “crack the social code”, figure out why people say the things they say, why it's ok to use certain words in some countries but not in others. And everywhere she went she would invariably end up singing.


Read More Click here!

Friday, January 29, 2010

Orlando Valencia Jr.

What do you get when you mix English with Spanish, salsa with R&B, and pure passion with an unstoppable desire to make people move? Salsa Urbana is the answer. This CD, which was released in 2007 and is currently sold out, was created by none other than Orlando Valencia Jr. Orlando’s Latin and R&B music have been forcing Canadians to get up and dance for a number of years, and with a second CD in the making, salsa nights may be replacing the common dance/club scene in Ontario.



Orlando is also a smart businessman. Though he has been approached by record labels before, Orlando is not signed with anyone as of yet. He wants to ensure that his sound never has to be compromised or forced into a mould. However, when he does find a label that feels right and understands his theme, Orlando says that he is willing to sign. Born in El Salvador but raised in Canada, Orlando Valencia is a dynamic artist who is able to create a sound which speaks to a variety of people. It was practically inevitable that Orlando became heavily involved with music; his mother was part of the National Ballet in El Salvador and his father was and still is a musician. Growing up with and expressing himself through song and dance, Orlando eventually became fluent in these two universal languages. Though he was eager to be a great singer, Orlando’s father made sure that he knew that it takes more than a voice to create great music, and as a result Oralndo is today a talented percussionist and vocalist. For more than a decade now, Orlando, his father and younger brother have been working together. They perform live four to five times a week for people yearning to dance to authentic salsa, merengue and bachata. Orlando feels that there is something extraordinary about being able to do what he loves while also making people happy; it is truly a gift that is appreciated and shared by artist and fans.

When Orlando is not performing with the band, there’s a good chance that he’s working in the studio. It’s a very different experience being alone in a recording room late at night because you have to generate your own energy, shared Orlando. The musician seems to have no trouble finding that energy though, and Salsa Urbana is proof.

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Friday, January 22, 2010

Giselle Minns

Giselle Minns is truly one of the more unique artists I have come across this year. A unique fusion between classical and contemporary music makes her a true music mover.



Her latest album "Turning Circles" is a classical crossover album, combining opera with more contemporary sounds including electronica, and pop. Her wide vocal range compliments this crossover. "My music has been compared to Enya and also a kind of Imogen Heap style."

As most artists, Giselle started early. "When I was three years old, my mother taught me vocal harmony and when I was five, I started piano lessons." She has since picked up the cello and the much coveted skill of writing her own music.

Put nicely, Giselle says that she gets her song writing inspiration from "the big Canadian sky; and life." Her songs are based on stories, but many are also fantastical stories that exist in other people's lives.

In terms of other artist inspiration, Giselle cites opera singer Maria Callas and the pop/electronica artist, Bjork. "Both have influenced the way I look at life and at my music."

For someone who is putting opera back into the mainstream vein, Giselle doesn't find the Canadian indie environment terribly challenging. "I find that Canada is extremely encouraging to emerging artists and there are many different avenues open for us to explore. The music network is supportive and informative and most doors are left ajar for us to fling wide open."

So what is the best part about making music?

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Friday, January 15, 2010

Sean Ward

Comic artist, musician, trend setter and philosopher, Sean Ward does it all. Author of Benny Bunny on Wheels, Mr. Lollipop and The Sean Ward Electric Comics Freak-Out, evil genius behind Peanut Punch Crank Calls and rap master responsible for “Paid to Party”, I recently had the privilege to pick his brain on what makes the man behind the legend, and where he sees himself in the big picture. A glimpse at this extremely talented, Toronto based, self-made entertainment mogul's vast repertoire of hilarious, artsy and radically unique creations can be found at http://www.seanward.net and http://www.myspace.com/seanward



Jessica Rodriguez: I know its probably next to impossible to do this, but I'm banking on your above average intelligence to humour me.

Sean Ward: Heh, OK.

JR: Summarize yourself in one sentence.

SW: Sean Ward is Beatles meets vintage Def Jam on the retro space age, pre-psychedelic acid pop tip as a Saturday morning cartoon. How's that?

JR: Incredibly condensed! You say that one of your main goals is to help bring artists together.

SW: Yeah, like helping them get going, get producing work, and pushing themselves.

JR: How do you envision yourself doing that?

SW: The main way is through the work itself, I hope. I try very hard to work something into the stories I tell that's going to be inspirational to people who have a vision to do something big or unique. So the more I learn and grow, the more I'm able to put into it, you know, on that level. And then it's through being an example. I've always been pretty open about how I live and what goes on behind the scenes, and that's so that people can see how it happens and what it takes. It's not easy but if someone says they stepped up to the challenge because they've been watching me or reading my blog or following my adventures, then I feel like what I'm doing is working.

JR: How far along that process do you feel you are?

SW: Farther all the time. I have given speeches at schools, I've conducted workshops, it's very hands-on. When I do a signing or an appearance and some dude's watching me draw him a sketch or whatever, and he's telling me about how he thought that if I could do it maybe he could do it, and now he's working on his own movie or music or whatever, those are the moments that give me juice. That's what makes it easy to keep going when it gets difficult.

JR: As an artist you bridge over many different disciplines, from comics to music to acting, although you mention that right now you want to focus on comics. Do you think having such a broad range of artistic outlets dilutes your passion or ability for any given one?

SW: I fight with this all the time. That's something I have to continually face in myself, 'what's with this compulsion to always be starting all over again?' But at the same time, it's about taking my art seriously and treating it like a business and thinking about how I can differentiate myself amongst people who are all talented and all visionary. My comics are the heart and soul of everything else that I do. Take out the comics and the rest doesn't hold together because you've lost the context. You've lost the philosophical connecting thread, does that make sense? Yeah, comics are the main thing for right now, but it all fits together. On the one hand, its an expression of my own issues and insecurities that I always have tostart new whenever I just get going on something, but on the other it's me expressing what I'm about.

JR: About your comics, the characters you create are all very distinctive, both physically and in personality. Do you base them off of people you know, or are they completely fictional?

SW: It's both. I have modeled certain characters on real people, but most of my main characters jumped pretty much fully form


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Friday, January 8, 2010

Sonny Boy Mick

Sonny Boy Mick's long road in the music industry has been landmarked by a variety of unique experiences. All experiences that led him towards national and international acclaim for his songwriting and performance ability.



Sonny Boy Mick, a.k.a Steve McPhail, started playing guitar at the tender age of eleven in his hometown of Sault Ste. Marie. "I played in bands through high school and university and then moved to Burlington where I joined a club act of T.O. I played and sang with several prominent clubs in the GTA."

He then had a band called Fall From Grace in the 90s, that was released in Europe. And if that wasn't enough, he purchased a music school and recording studio in Burlington called Melody Man Studios, and has been running it over the last 6 years.

The studio has been a real place of inspiration for Steve and his songwriting, "Because of being able to play everyday at the studio teaching or recording I find musically things just pop out, alot of times when I'm tuning somebody's guitar or just sitting around playing."

With this new environment to work with, he started writing under the name Sonny Boy Mick, which resulted in the release of the new CD "Peace, Love and Sonny Boy."

How would Steve describe his style? "A melting pot of all the covers and styles I've played since I was a kid- Beatles, Bowie, Prince, Zeppelin, Police, Stones, U2, Coldplay, Pumpkins, Radiohead, Buddy Holly, and I'm sure a slew of 90's bands."

What Steve prides himself in is his ability to write authentic music, "I think my music is real, it's not fabricated, it's just a reflection of my day to day existence. I play everyday and if you see me live chances are you'll see I love to play music, I've been told many times that when I play "live" I have that "somethin" --you can't fake that stuff, it just happens. I've been very fortunate to play with great band members in the last 10 years who bring years of experience to the studio as well as live shows."

Speaking of authenticity, all of Steve's songs have been inspired by some event that has occurred in his life. "If I had to pick one [to talk about] it would be "Northern Town". I was home in Sault Ste. Marie on a family matter


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Friday, November 13, 2009

Shyann

A beautiful voice, plus beautiful songs, plus a beautiful outlook on it all gives us Tricia Gilhooly, a.k.a Shyann. Shyann is taking Canadian pop music by the reigns, quickly becoming a fan an industry favourite. With material that instantly evokes a more sophisticated, but equally entertaining form of pop music, Shyann is someone to look out for!



When did you start getting involved with music? Have you looked back since?

I got involved in music when I was just a little kid. Believe it or not, I was a very reserved, very shy kid that often got bullied on account of the fact that I never spoke up for myself. Then one day, as cliche as it sounds, I was in the changeroom after gym class just singing to myself and when I was done, I looked back and looked up to see that all the girls in the changeroom had their eyes on me. It was amazing and their response was so overwhelming to a person who was used to getting no attention. Since then, I've learned that music is ultimately the way that I best express myself and I've honestly never looked back since.

How would you describe your sound to those who haven't heard it before?

There's definitely an urban element to what I do but I couldn't really place my music under one genre because I'm so heavily influenced by many different ones, from the indie music scene, to jazz, to opera, definitely hip hop and really, any world genres. I draw the best of what my ears hear from every genre of music and my own sound is comprised of many of those elements. I'd love to hear input on how others would categorize my music into a genre.

What do you hope audiences will take from listening to your music?

All that I could hope for an audience to gain from listening to my music would be an understanding of where I'm coming from, be it conceptually or musically. If a person can take their own personal meaning away from what I do, that builds the connection between one music lover to another :)

Where does your song writing inspiration usually come from?

Honestly, my song writing inspiration stems from just living my everyday life, from the greatest moments in the world to the worst, and for all of those moments in between where I'm lost in transition. Or being moved by someone elses' experiences around me. My true release is writing and expressing myself, my thoughts and my feelings through music.

Who are your favourite artists and how have they influenced your song writing if they have?

There are so many artists that are influential to me: Beck, Portishead, definitely Amel Larrieux vocally as well as Raphael Saadiq, Radiohead, and Broken Social Scene, to name a few. They all influence me in that they have found their own sound, they've found their own writing style, their own melody and I aspire to find that sound for myself, as an artist and as an individual.


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Saturday, September 12, 2009

Katchphraze

Kallen Saczkowski, aka Katchphraze, is an urban artist unlike most. As he puts it, "It's like we want our rapper to have been shot, or to have tear drops tattooed on their cheek." Well Katchphraze has none of those qualities to his name, but he does have a fresh brand of hip hop just itching to be heard among a sea of artists waiting to be heard. Check it out!



How did you start to be involved with music? Was it something thatyou always knew you wanted to pursue?

I've been writing music ever since I can remember. When I was really young I had a toy guitar that I used to pretend I was playing on stage singing songs that I wrote. I'd say I really got into writing hip hop songs in grade eight, and I can remember the track that really inspired me to write was "Bow Wow Wow" by Funkdoobiest.

Before I hit high school I was starting to record myself on a mini tape recorder, but not really playing it for anyone. Once I hit high school I started to let people hear the tapes that I was making. Eventually I'd have to bug someone to play the instrumentals that I'd buy because I didn't even have a turntable, so they'd hear me recording into their speakers and the feedback was positive. I played it for a really close friend who I had found out was wanting to dabble in making beats, and the first track that we did was called "Ones N' Toos" which I released as a single a few years later. That was really the start of it. When we recorded the "Ones N' Toos" single, that was the first time that i'd ever been in a studio that wasn't a mic plugged into the back of a computer. I'll never forget the look on the engineers face when we showed up with a computer, lyrics and not a clue about what to do. He told us after we finished that based on what he saw when we showed up, he did not expect the music to be as good as it was.



Your latest album 'Eye Can See Now' is full of commentary and what I would affectionately call "wordplay". What were hoping audiences would get out of this album? Are you working on anything new right now?

Because Eye Can See Now took a while for me to finally finish, it I had a lot of material, and a lot happened in that time. During the writing process I moved across the country and then came back, I found out what I wanted to do as a career and went back to school, I took breaks, had set backs and worked crappy jobs. I tried to include all of that in the album. I had a lot to get out of my system and I really felt like I did that with Eye Can See Now. I wanted to be versatile, and show all of the sides of me. I have two projects on the go right now, one is with a producer by the name of Sy Wyld, who also happens to be the guy that produced "One's n' Toos". This is something that's I'm really excited about because we haven't worked together musically for a while and it's a real natural, like we never left vibe in the music. My other project is with a producer named Seaton. It's more musical; he plays all of the instruments live and it's a direction that I've wanted to go for a long time.



Where does most of your songwriting inspiration come from?

I'm inspired a lot by other people, and my own emotions. Usually I write when i'm overwhelmed with a feeling or emotion but it tends to not be right away. It tends to happen once I've had sometime to think about things. At first it's like there is too much going on and I can't make sense of it so I'll try to write but usually it's all over the map. It's when I see down and I'm not really trying to write anything, that my best work happens.

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Saturday, September 5, 2009

Shannon Venasse

While she didn't start playing music the minute she was born, Shannon Venasse's ultra-smooth vocals, mature lyricism, and compelling song writing skills have turned her into a worthwhile ambassador of Eastern Canada's music scene. Check out what she had to say to theMOVEMENTZ.



How did you first get involved with music? Did you always know that you were going to pursue it as a career?

I got involved with music when I was in my early 20's. A good friend of mine at the time was dating a person who played the acoustic guitar and I always loved watching and listening to him play. I always thought that I wasn't musically inclined because in high school I was terrible in music class probably due to the fact that I was so shy. Another friend of mine started learning to play and I wanted to jam with everyone. So one day I drove to a guitar store in Toronto and bought my first guitar, a Yamaha acoustic and gig bag. It was a struggle at first for me to learn but I kept at it and got a guitar teacher. Before I knew it I was able to sing along with my guitar and it just progressed from there. I had no idea I was going to pursue music. When I was younger I wanted to become a police officer.



If you had to explain your sound to someone who has never heard it, what would you say?

This is always a hard question for me because I'm influenced by so many different types of music. I generally say it's pop/folk/rock. I notice that when people see a person especially a woman playing the acoustic guitar and singing they automatically call it folk music. But for me each song is so unique to itself and some are more pop/rock sounding, some more folk and some even have a new country sound to them. I would even put myself into the singer/songwriter category. My music is very acoustic guitar driven that's one thing I'm sure of.



Your debut album 'The Lion's Share' was released in 2007. What types of themes/ideas come across in the album?

I was never intending on recording a whole album but I just had so much to say at the time. I was going through a really hard time in my life back then. My mother was dying from leukemia and my partner of 5 years was leaving me for someone else. It was incredibly hard for me to do anything except write songs and be able to sing them. Most of my friends at the time didn't know what to do to help me so they just distanced themselves. I guess the songs were my way of getting them to listen and it was also stress relief for me at the time. If there had to be a theme it would be that life may try to drag you down but you can't allow it to.

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Friday, August 28, 2009

Elyse Simpson

I'm simply blown away by some of the teenage talent that graces the music industry in Canada. Elyse Simpson is no exception. With song writing skills to match some twice her age, and some killer vocals at her disposal, Elyse is someone to look out for. Here's what she had to say to theMOVEMENTZ.



How did you first get involved in music? Is it something that you hope to pursue for the long haul?

I got involved with music at a young age, around 6, I was listening mainly to classical music and started to take up the cello. Around 7 years later I took up vocal and shortly after began to teach myself guitar. I then started to listen to more rock and psychedelic music such as Jimi Hendrix and Eric Clapton. Now over the past two years, I have been working to pursue music seriously as a career and I hope to continue.



How would you describe your music to someone who has never heard it before?

People have told me my music sounds like Bob Dylan with a little bit more Billie Holiday vocals. Personally, I would like to think or hope it reflects the feeling that was evident during the folk movement in the 1960s in Greenwich Village but with a bit more of an edge.



Do you have an album in the works? If so, what types of themes/ideas are working their way into the songs. When do you think it will be released?

Technically I am always working on an album since I am always working on new material and writing music. In the past, I have independently released singles and plan to release more very soon, but right now I'm focusing on putting together a solid body of work before I think about releasing an album. But, it is definitely something I will do.

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Monday, August 24, 2009

Amy Campbell

Amy Campbell serves up a type of musical storytelling that feels relevant to the present day, but still has that classic, "old time fave" feel. Lovers of country, roots and certain types of folk will surely appreciate the maturity and emotional connectedness of what Campbell has to offer.

Campbell's latest solo album, 'Oh Heart, Oh Highway' is a special two-disc collection, complete with a book of illustration and prose. The result seems like it would make for a perfect artistic package. Here is what Amy had to say about this project and other aspects of her career:



How did you first enter the world of music? Were you always interested in pursuing it as a career?

I've been playing music in one form or another my whole life. I studied classical piano up until I started university. I picked up the guitar when I was about 13... Somewhere in there I started writing songs. After university I found myself in a band that did pretty well for a few years, and I've been playing music professionally ever since.



You have a very unique and interesting sound. How would you describe it for people that have never heard your music?

I consider myself a lyricist first, and all my songs are built up from the lyric. Live, I play acoustic guitar, and I use open and alternate tunings to create a fuller, richer sound. When I'm in the recording studio I use other instruments - percussion, organs, etc - to accent and colour what I do as a live solo artist.



I understand that your solo debut album, "Oh Heart, Oh Highway" is a double disc album with a book of illustrations and prose included.Why did you decide to incorporate all of this into your debut?

It wasn't so much a decision to do it this way, but rather once I had the idea it would have felt like selling the project short not to follow through with it. I spent a long time trying to wrap my head around this recording project, and it wasn't until I saw the over-arching story depicted in the album begin and end that the physical product began to make sense to me.



Where does your song-writing inspiration usually come from?

I'm moved by those moments of emotion that are universal. I like to create a space where any member of the audience can insert their own experience and relate to me and to each other. I try to identify the emotional core of a situation and let the words wend their way back out into a song...



Who are your favourite artists, and how do you think they have influenced your song-writing (if they have)?

I've definitely been influenced by the artists that have gone before me. Most particularly by talented women like Joni Mitchell, Ani Difranco and Patty Griffin - strong musicians and innovative guitar players as well as excellent lyricists. More recently by people like Sarah Harmer and Leslie Feist - artists who write their own material, follow their own paths creatively, and definitely know what to do with an instrument.

Monday, August 10, 2009

State of Shock

Congratulations to State of Shock on getting signed with Universal Republic! Jesse Wainwright, guitar, and founding member, talks to theMOVEMENTZ about this great news and the band's highly successful first album, Life, Love & Lies.

After months of diligently trying to break into the U.S. market with album's first single single "Money Honey", State of Shock has been signed to Universal Republic (Amy Winehouse, Taylor Swift, Mika). "We were bashing our heads against the U.S. market for months and months. All the labels were saying, ‘it's good but it's a little too commercial, it won't sell'".

"Money Honey" was added to satellite radio in the U.S., where it hit number one within six or seven weeks. "As soon as it hit number one, all of those labels that said no, were calling us saying ‘we'll give you whatever you guys want'. The people spoke and then the label had to listen."

The band's formation was a gradual process that began in 2000, with Jesse, and Johnny Phillipon (drums). Both had been playing in bands together, but ultimately went on to form a band on their own. Jesse recommended Cameron Melnyk as the band's singer, whom he had grown up with. Allison Toews responded to an ad for a bass player, and according to Jesse, "it was like this perfect little family". Simon "Kadooh" Clow, joined a couple of years later as the second guitar player, and State of Shock, as we know it, was complete.

The latest album, Life, Love and Lies has had quite an amazing year, contributing to State of Shock's Juno Nomination for Best New Group, and "Money Honey's" commercial radio success. Jesse tells us that the record is a collection of songs about their experiences on tour after the release of their first record Guilty By Association.

"When it was the four of us, we toured Canada for about two years in a van. We all went through these ups and downs, and personal issues in our lives, and that's basically what spawned the material for Life Love and Lies. That's why it's called Life Love and Lies, because it's 10 songs about the last two years of our lives. Every song on the record is about something that happened to one of us."

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Wednesday, March 4, 2009

Trish



Trish is the epitome of a triple threat, earning the right to reach for the sky and fly with the stars. Perhaps it’s the relentless depth of her passion or the intoxicating quality of her voice, but the dance-driven, electro-pop infused entertainer has an undeniable star power. Earning the coveted title as the “next big thing”, her music intertwines the elements of electrifying R&B and captivating funk with an edgy hip-hop feel.


Born on a leap year into a family of musicians, the stunning beauty was taught the value of arts at a young age. Her father is a guitarist who has shared the stage with icons such as Peter Tosh and the late Bob Marley. Trish was constantly surrounded by a creative outlet that enforced singing and performing as a form of self-expression. Even before graduating high-school, she had developed an impressive resume as a runway model.

“Can you imagine if all singers sounded and performed alike?” Trish says of her project. “My musical taste is so diverse, that definitely comes across in what I release.” With a voice to match her charismatic spirit, Trish has a tone that catches the attention of the audience and with a four-octave range so rare, industry professionals have begun to take note.

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Wednesday, February 25, 2009

Elias Manuel



Elias Manuel is a young urban artist, a strong leader and an entertainer who is all about his fans. As everyday passes more and more people are hearing his hit single “Day I Die” which is finding its way onto several radio stations. Conscious of and up to date with what matters to people, Elias is prime example of a flourishing modern day artist.

Watching Elias Manuel develop plans for his next music video on an outdoor patio of a cafe, one couldn’t help but listen into the conversation of the r&b, pop and hip hop musician. He remained collected yet enthusiastic the entire time as his team threw ideas out and bounced them off of each other. He is in charge of everything he’s doing, and although Elias had labelled his previous work as underground, he is certain that this second one will be a mainstream hit. With such a grounded personality and dedicated work ethic, the name Elias Manuel and his latest album “Risking It All” are quickly becoming known and loved.

Born and raised in London Ontario, Elias’s passion for music blossomed at age thirteen. Michael Jackson and Boys 2 Men have both influenced Elias from a young age. Just this April Elias has graduated from Fanshawe College with a degree in Graphic Design, so not only is he a talented singer, but he makes a mean website.

Many of the songs off of “Risking It All” can be heard on Elias’s MySpace page, myspace.com/hit9entelias. His entire original album is free and he has even made it possible for anyone to use and mix his music without charge. There is also a deluxe album that can be purchased from his personal website, eliasmusic.ca. Buying this edition will get you three extra songs, all ring-tones, all instrumentals and lyrics as an instantly downloadable package.

From MySpace, Elias has made it possible to connect to his own website, where fans will be blown away by the work Elias has put into it. The site demonstrates how serious he is about being a top artist, a business man and mostly how important staying connected to his fans is for Elias.


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